Sometimes/Today

Sometimes I feel that I’m failing

From the weather or a smell in the air

Sometimes I feel that I’m winning

Despite the score showing I’m far from there

Sometimes I grow stronger

From something I decided not to eat

Sometimes a rock in my shoe

Slows the pace of my gate

Sometimes life seems like a deep woe

That I carry upon my soul

Sometimes I’m light as the wind

Endless days with no tire or toll

Today’s maybe somewhere in the middle

Some coffee and rain and some hope

Success and failure are not for this moment

Both lie out of the present’s scope

Gene G. McLaughlin 2020

Record of the Day 5-15-2020 – Room 25 – Noname

In 2016 I would listen to the record Telefone by Noname when walking in mornings often.  It is an easy smooth rap record, good not great.  It did show signs of greatness though.  Noname has great writing ability and wry sense of humor.  Her rapping and rhyming were solid if not quite great yet.  Her 2018 record Room 25 is fulfills that promise.  It didn’t get a huge amount of notice in 2018 from rap audiences despite her association with mega-star Chance the Rapper.  The content is basically tales of a girl from Chicago living in Los Angeles navigating relationships and the industry.  There is sexual content and imagery which is much different than Telefone.  The guest vocals are timed well and enhance the record greatly.  The music and rapping are purposefully slightly low-key and the lyrics and rhyming are intricate.  It definitely feels like a Chicago hip-hop record, with lots slam poetry style rapping and lots great lush jazz style arrangements.  I know when Noname toured the record she sold out places like the Orange Peel in Asheville, but she expressed disappointment at the audiences being all white and didn’t have a strong desire to ‘dance on a stage for white people.’  She also expressed interest in quitting if this continues to be the case.  I hope that doesn’t come to be and her audience expands and is a broad as she would like it to be.  She is a unique talent and I think many people hope to hear more from her.  It would be a shame to lose her voice in hip-hop.

-BearedRiffRaff

220px-Room_25_cover

 

More Pissarro Than Picasso

I want a world more Pissarro than Picasso

More the sum than a piece

More the glory of all of it

Than cubes of us at our least

Gene G. McLaughlin 2020

Camille Pissarro

Record of the Day 5-14-2020 – Schlagenheim – black midi

I guess you would call Black Midi’s Schlagenheim math rock? Maybe noise rock?  I am never sure where the genres cross over and become something else.  Let’s just say it has a lot going on.   They are kind of somewhere in between the howling fury of The Jesus Lizard and atmospheric chant rock of Alt-J with an ever present undercurrent of Don Caballero.  They play fast, well, and loud with tons of percussive elements and tons of atmospheric changes in tempo.  The first time I listened to the record I thought there were barely any lyrics, but maybe the third time through I realized the songs had full sets of lyrics when them some with actual semi-stories to them.  I am not sure the lyrics matter that much, they seem more like an addition of an instruments to the mix than a necessary element, but they are present.  The vocals are well done, but they are definitely secondary to the music.  To describe it in terms of how you would listen to it I would say you would take a walk and listen to something else and then reach a park bench and sit down and watch the world go by and listen to this.  It doesn’t make you want to move as much as ponder.  This not a style of record I would typically recommend to people, but it is definitely one of the best records of 2019 to me and I think people who might not normally enjoy math rock/noise rock might like it.  Some people might find not find enough melody or emotional engagement, but to certain listeners it is relaxing (almost) and compelling.  I think the phrase that describes the record to me most to is thought provoking.  It sends my mind off on tangents.  It is music that makes you neither want to dance or sing along which is sometimes very welcome in life.

BeardedRiffRaff

220px-Black_Midi_-_Schlagenheim

Dead Sitcoms Stars Cluttering the Psyche

Click

Ted Knight stares at me

Through the late night TV flicker

His hair is white and bright

It hurts my eyes in the darkness

I am sad to see him on the screen

He exists in some alternate universe

The 1970’s that did not exist

But he no longer exists here

Click

Norman Fell stares back on another channel

He is having trouble

With those cohabiting youths again

His career has not yet faded from one bad choice

At the same time

John Ritter’s face is young

His heart is still strong

This will be the greatest moment for both of them

Their faces show they do not know this fact

I do not know what the moments that flash through the

Viewfinder of my life mean

It is unclear until long after the point

And then it is fogged by judgments of episodes

Click

Andy Kaufman is on

Wild, crazed, and manic

Diamond in the rough never cut to a beautiful gem

His pain on display for posterity

Click

McLean Stevenson is

Forever dying on a plane

Shown endlessly

Once dead in life

Doomed to repeat forever

Across the mindscape they are thrown

Living in a syndicated trans-cosmic-loop

They know nothing of the present

It does not exist

The past doesn’t either

It is

Only an alternative reproduction

Dead sitcoms stars cluttering the psyche

Adrift and floating like out of orbit meteors

Digitally represented

Haunting and false

Gene G. McLaughlin 2020

Ted Knight

 

Record of the Day 5-13-2020 – Dose Your Dreams – Fucked Up

Fucked Up’s record Dose Your Dreams is sprawling and diverse.  It is a kitchen sink record, they threw everything they could at it.  It keeps all the post-hardcore punk sounds that they had in the past (with some minor flourishes) and adds disco, EDM, indie rock, pop and psychedelic elements.  Unlike their great punk music of the past, this also utilizes what must be 15 to 20 vocalists including most band members, numerous female vocalists, and even inexplicable J. Mascis.  Damian Abraham is still on almost every song, but the songs are much broader and require more types of vocals than his distinctive cookie monster growl.  The record seems to have some of the themes and characters of the great 2011 album David Comes to Live, but from what I can tell it is loosely related.  Musically Dose Your Dreams is a step forward, but I can tell why some fans didn’t care for it as much as previous records.  It doesn’t have the immediate impact of The Chemistry of Common Life and it isn’t quite a cohesive and singular as David Comes to Life.  It is however extremely ambitious and the highlights of the record are about as good as anything from 2018.  I am not sure if I would tell someone to start with this for the band it is almost an hour and a half, but to me it is their best.

BeardedRiffRaff

Dose_Your_Dreams

Dead Languages In An Encrypted World

Dead languages in an encrypted world

Floating on currents of textual seas

New syntax and context unfurled

Ideas carried by the digital breeze

Mass less data of New Babylon

Still growing ziggurat of a modern age

Non-physical ideas carry on

With or without the page

Language united with math

Following the binary path

What or or who does it benefit

If anything or anyone at all

Are the data’s flows sinister or beneficent

Are its actions fair of foul

Gene G. McLaughlin 2020

Dead Language

 

Record of the Day – 5-12-2020 – Ocean Songs – Dirty Three

Dirty Three might be my favorite post-rock rock band.  I’ve never been 100 percent sure where the category begins and end or when a band is considered an instrumental progressive rock band instead, but when you category includes Mogwai, Tortoise, and Sigur Ros competition to be the best in the small genre is pretty fierce.  Warren Ellis’s violin is so diverse in it’s sound and range you don’t miss the notion of a vocalist.  His composition skills have been on display on display via his scoring of numerous movies (with Nick Cave with whom he is one of the Bad Seeds) and any given Dirty Three record is pretty cinematic on it’s own.  I’ve listened to the Dirty Three records Horse Stories and Ocean Songs the most and they are both terrific.  I guess I give Ocean Songs the edge as my favorite, but it is close to a draw.   Ocean Songs attempts to evoke of the sounds of water and echos and beat of the Pacific Ocean.  As a band that comes from Australia where almost everyone lives by the water this seems like a task that would be intriguing, but daunting to them as a goal.  The record achieves good results.  I think for me the thing I like most on the record (compared to other Dirty Three records) is Jim White’s (of the currently very popular Xylouris While) drumming. On many of the songs with the looping sounds of the violin and the rhythmic sound of Mick Turner’s guitar the drums come to the forefront as if the ocean were speaking it’s mind through crack of the waves.  Oddly Ocean Songs is in many ways a less calming record than Horse Stories despite it’s approach and subject material.  It makes you pay attention a bit more, is a bit less like a soundtrack and more like the plot itself.  The drums in the forefront make the record a bit more present and a bit less passive than Horse Stories.  I’ve never seen Dirty Three live, but their a band I’d like to.  They seem liked they be the kind of band that was like a storm coming in from an ocean, something that would build up and they drench drench everything with sound.

BeardedRiffRaff

D3-albumart-oceansongs

Record of the Day – 5-11-2020 – Anathema – Distant Satellites

I listened to the record Distant Satellites by Anathema many times in 2014.  I also listened to 2012’s Weather Systems almost as much that year, but Distant Satellites gets the edge for most played I think.  I am not sure how to describe the music Anathema makes.  It is definitely progressive rock, but there is a very romantic melancholy easy listening element to it also.  The music is emotional, but never saccharine.  This record is similar to their others of the past 12 years or so has two lead singers Vincent Cavanagh (male perspective vocals) and Lee Douglas (female perspective vocals).  The song cycle acts a sort of loosely related dialogue between the two vocalists.  The pacing of the record almost borders on rock based musical theater.   I don’t actually know if it a type of music that will work for all listeners, but for some reason it was a direct hit for me in 2014.  I think you could listen to any of their recent work and it might evoke the same experience, but it might just be the familiar case of its what you listen to first from an artist that impacts you the most.  For whatever reason like many Kscope label artists Anathema has never really caught on in the United States.  It is possible the sincere emotional nature of the music doesn’t translate for the American audience.  I hope they are able to continue to grow their fanbase because for a certain type of progressive rock devotee their music is wonderful.

-BeardedRiffRaff

Distan_Satellites

Mom

She wore a bonnet of significant bees

A fleece of fantastic fleas

She knew black beans and pintos

From her lentils and her peas

 

She didn’t walk on water

But she glided over nails

Which were strewn across the floor

From rusty timeworn pails

 

She loved the smell of smoke

But disdained the smell of cinder

She met your father Satan

On the devil’d own site Tinder

 

You told her happy mother’s day

She said son I am fictional and abstract

You infer you own responsivities

From how you think I act

 

So hold tight to your nostalgia

Or quietly feed your rage

I am not your icon or advisor

I am never your blueprint or cage.

Gene G. McLaughlin 2020

Coraline_Other_Mother